Before the appearance of her first book MJ had contributed to the Funky Black Women's Journal, which seems not to have been noted by mainstream library catalogues.

The Glasgow Examiner published EJ 's poem Lord Raglan 's Address to the Allied Armies.

PHJ wrote introductions for the Norton edition of Trollope 's Barchester Towers, 1962, and for Cecil Woolf 's and Brocard Sewell 's volume of essays entitled Corvo , 1860-1960, 1961. She contributed in the early 1960s to Essays and Studies of the English Association and to Transactions of the Royal Society of Literature, as well as to non-academic periodicals like the Liverpool Post, John O'London's Weekly, The Spectator, and the Washington Post.

MJ 's elegy Epistle to the Right Honourable Lady Aubrey Beauclerk, in memory of her Lord (who was slain on board the Prince Frederick Man of War at Carthagena, March 1741), was reprinted in the Gentleman's Magazine.

This was submitted in the court hearing about her divorce and the custody of her daughters. A purloined copy of the Narrative was printed in American and British newspapers, but it won her little support.

Garibaldi at Varignano, HHK 's first publicly printed poem, appeared in the Observer; the poem later became Aspromonte.

A sonnet in Macmillan's Magazine was probably LK 's first publication.

ML published her satirical collection, Apologies. Many pf these squibs had appeared previously in papers and magazines such as The Observer, Vogue, Punch, The Spectator, and Time and Tide.

The young ML placed a ludicrous advertisement, in verse in the Reading Mercury (owned by the London publisher John Newbery ) to deny that she was the author of lampoons on the persons and characters of local ladies.

As a child and teenager, Margaret Wemyss (later ML ) was constantly writing stories and poems. She destroyed most of this writing (of which her aunt/stepmother, Margaret Wemyss , was both an inspiration and a useful critic). Some of it, however, was published in her highschool newspaper and later in Vox at the United College of Winnipeg and in The Manitoban at the University of Manitoba . These juvenilia have been collected and edited by Nora Foster Stovel in two publications from the Juvenilia Press : Embryo Words, 1997, and Colours of Speech, 2000.

Over the course of her writing career, ML produced various articles on psychic or occult matters, Spiritualism, and ghostly happenings. Near the end of 1941, she wrote on Spiritualism for Psychic News, edited by Maurice Barbanell . She received many letters in response to these articles (as she had for The Bridge of Wonder). In 1953 she described in her Foreword to Robert Thurston Hopkins 's Ghosts over England her participation in several clearings of haunted places.

Francis Russell Nixon , the first Anglican Bishop of Tasmania, encouraged her to publish her poems, and before her departure for England in March 1853 she received confirmation that they would appear in book form. Her doctor, James W. Agnew , had already sent several of her poems to the local gazette without Leakey's knowledge, and there were many requests for the book in Hobart Town before it appeared. Her title identifies her sojourn in Tasmania as exile, since it comes from Psalm 137, in which the exiled Israelites demand, How can we sing the Lord's song in a strange land?

ML first appeared in print, two months after her death, with a poem in the London Magazine.

Queenie Roth (later QDL ) achieved print at the age of fourteen with her story, Christmas Presents. It was published in the Latymer School journal.

From the age of eight RL spent whole mornings writing (verse dramas, epics, lyrics and narrative poems, as well as sketches and novellas). But later she cast them on the flames as juvenilia. She had a childhood poem published in Little Folks magazine, then a teenage one in the Cornhill. After this Cornhill took to turning down the steady stream of further writings with which she bombarded it; but once she reached Cambridge she began publishing poems in Granta (which her father had founded) and The Cambridge Review.

Some of DL 's poetry reached print for the first time, in Poetry Quarterly.

SL began her writing career with contributions to The Family Magazine. Her first publication was said to be a poem which appeared around 1838, when she was just fourteen years old. Another of her earliest poems was The Ruins of Palenque which appeared in New World. She continued with works in the Democratic Review. Her articles address American art and travel, among other topics. She also undertook translations of Virgil . Among her early pieces is The Forsaken, the poem that purportedly first drew the attention of Edgar Allan Poe .

IL not only used this month to title the earliest dated poem in her volume of 1814, but on this day contributed anonymously to the Westmorland Advertiser, or Kendal Chronicle.

The monthly La Belle Assemblée (founded six years before) carried a poem by JSAL , identified as Mrs Liddiard.

In preparation for writing this play, EL corresponded with the secretary of the Anti-Sweating League , J. J. Mallon , about the labour conditions of women outworkers. The play was published before its performance, in the May 1911 issue of Nineteenth Century and After.

Her journalism, on topics like women's work and women's education, appeared in US periodicals such as Good Housekeeping and Wide Awake, and in Canadian periodicals such as The Canadian Monthly and National Review (later Rose-Belford's Canadian Monthly and National Review), Queen's Quarterly, and The Week, in addition to a variety of religious publications. She regularly used the pseudonym Fidelis for periodical publications, and wrote over one hundred articles in the years between 1872 and 1896.

EKM wrote a letter to the Times (Alpinists and the Matterhorn: A Symbol of the Eternal) to protest in the strongest terms against the proposal to build a cable-car up the Matterhorn.

There was a precedent for this kind of faux-historical document (which the Athenæum reviewer, Henry Fothergill Chorley , at once picked up on): Hannah Mary Rathbone 's The Diary of Lady Willoughby, 1844.AM first wrote her imaginary seventeenth-century diary for the amusement of her sisters, then sent it to a brother in Australia, who was starting a local magazine. It was then serialised in Sharpe's London Magazine (whose new series had been launched in 1845) before publication in volume form. Its first appearance in the USA, also in 1849, was in the Boston periodical Littell 's Living Age. Its popularity is witnessed by a whole stream of new editions. In 1859 AM published a sequel in the form of a diary kept by Deborah , daughter of John and Mary Milton: Deborah's Diary. (Deborah was born in 1652 and her mother died shortly afterwards.) The two books were re-issued together in 1898 with an introduction by W. H. Hutton , and then again in 1908 as number 324 of Everyman's Library, under the title Mary Powell & Deborah's Diary.

A column by Constance, Countess Markievicz, entitled The Woman in the Garden began to appear regularly in the Irish women's journal, Bean na h-Eireann.