This dialogue was set up by a young, black editor who worked on the magazine Redbook (for which Mead was a columnist). She had got talking with him on the subject of race, and mentioned that the attitude of Southern whites seemed to her to suggest, from her experience in New Guinea, that they viewed the blacks as a lower caste (almost another species) rather than as merely a different class.

As the daughter of two writers, VM began to write at an early age, as did her brothers and sisters. She was writing poetry when she was sixteen, submitting her poems to her mother for scrutiny.

Mary Jane (later Jean) Middlemass began to write at an early age, in a privately circulated magazine printed by her father . Other contributors were her brothers, and some of their classmates from Harrow School .

From 1948 she was making the amazing sum of three guineas for 1,000-word articles for a nature magazine. She once wrote a correspondence column: questions as well as answers. Someone suggested she should write for the BBC . She did not act on this at the time, but later placed an article with the BBC and followed it with two stories. Nevertheless, several times during the next few years when she needed money and was writing a lot, she received quantities of rejection slips. Material went into her first book from the Pinnacle Club Journal, 1950, and the Scots Magazine, November 1954 and April 1955. Over the course of her career she has contributed to the Daily Express, Sunday Express, Glasgow Herald, the Guardian, She, and Woman. In her early years as an author she also wrote for (and spoke on) BBC Radio.

EM was a regular contributor to the St James's Chronicle, many of whose subscribers she knew personally. Her presence there as the Muse of Surbiton was a selling point for the paper and she may also have been involved in editing it.

The first book takes in Tahiti, Samoa, Tonga, and Fiji. Both stem from writing done actually on the road, or more often in boats and canoes. The Daily News paid EM twenty pounds for each section in its first, periodical incarnation.

WM and her husband are credited with having introduced the English-reading public to Franz Kafka (1883-1924), who wrote in German. In addition to translating his three unfinished novels and a number of his short stories, the Muirs translated parts of his diary for the New Statesman.

She was already writing and publishing before her move to Britain in 1977. Her poetry and prose appeared in a staff journal of the Government Information Services of Guyana, where she worked, and she also had a short story published elsewhere: That was my first. However, she says it was not until she came to Britain and published her poetry there that she began to name herself a poet.

FN under her pseudonym of Francis Derrick published a number of pieces, including short fiction, in Belgravia magazine.

She dedicated this book to her mother , who enjoyed Sweden.KN travelled extensively around Sweden both below and above the Arctic Circle to prepare for this study. While she was writing it, she published in The Observer (beginning on 15 May 1960) a series of articles drawn from its material, and every week the Swedish Dagens Nyheter would review and critique the Observer article. This, with the addition of letters of criticism which she received directly, enabled KN to reconsider and improve her analysis as it moved from her articles to her book, but she also incorporates further defensive response into the book itself, and it is on this that she concludes.

While she was a student at Chiswick Polytechnic , Ann Titmuss (later AO ) had an article entitled Socialism and Me printed in the college bulletin. At Oxford she wrote poems to her future husband as well as an academic essay which won the annual Somerville College PPE prize.

CO 's work on a series of leaders from the time of the Napoleonic wars resulted in an invitation to lecture to the Royal Society of Literature about reading the writings of Nelson , Collingwood , Moore , Wellington , and Napoleon . Her lecture was printed in the Transactions of the Royal Society of Literature in 1963.

MA 's husband, the Reverend John Channing , encouraged her to submit poems to the New Monthly Magazine. These appeared under her initials. She also contributed to the Metropolitan (edited by Thomas Campbell ), and her work appeared in a number of annuals: The Keepsake (1835 and onwards), the Literary Souvenir, the Forget-Me-Not, The Juvenile Forget-Me-Not, Ackermann 's Juvenile Forget-Me-Not. the Book of Beauty, Friendship's Offering, and A New Year's Gift.

AA and her letters aroused some interest in England. In 1822 the Unitarian-run Monthly Repository printed an expression of patriotism which she had written on 30 October 1777 to a fellow-American then resident in England.

Early in her career she was a prolific contributor of short stories to Argosy and other magazines, sometimes under the pseudonyms of John Silver and Nicholas Dee.

By the age of sixteen LA was publishing translations and articles in journals. In August 1800 she composed social verses for a river party at Norwich to celebrateJohn Taylor 's birthday, and recited them to a gathering the next day.

Billeted in Boulogne, a story by Annie French Hector (later MA ) appeared in Household Words.

Lumsden selected the poems for the anthology from UK-based poetry magazines, literary journals and online publications between spring 2010 and spring 2011.GA 's poem first appeared in Poetry Review.

Theosophical Transactions, the journal of Jane Lead 's Philadelphian Society , warmly praised MA 's work and published extracts from it. Damaris Masham , however (who was herself guessed by some to be the author), wrote against MA and her associate John Norris in 1696 and 1705: she apparently felt that the idea of institutions where unmarried women could live together savoured irremediably of Catholic convents.

Over the course of his career, WHA contributed essays to many literary periodicals: Time and Tide, The Spectator, and many more.

JB sometimes wrote for magazines. An example is her Epistles to Literati, published in Fraser's in 1826.

Clara Balfour published The Female Poets of England in the People's Journal in 1850. She also lectured on this topic, and re-used some of her material in books published in the next few years on English literature and on working women of the past fifty years.

As well as her longer fiction, PB sometimes publishes short stories in periodicals: like, for instance, Subsidence in The Guardian of 19 July 2003, which occupies about six columns of print.

Maria Weylar (later MB ) seems to have been writing poetry by October 1759, since her published volume includes an elegy on the death of Wolfe at Quebec. For about a dozen years she published quantities of still unidentified poetry in several monthly Publications, signing herself Maria.