Two years later, William Ellis began another religious publication, The Christian Keepsake and Missionary Annual, whose title was an answer to another popular gift-book, The Keepsake.Sarah Stickney contributed to it a biographical sketch of Felicia Hemans , and then, the following year, another of Maria Jane Jewsbury (whom her future husband persuaded her to write about, although she had wanted to write in this publication on the subject of temper.. In both these pieces Stickney describes women divided between ambition of superior intellect and the demands of family attention.

Many of the poems first saw print in Cambridge journals or in Leonard and Virginia Woolf 's Cambridge Poetry, Hogarth Press ,1929. This volume followed on a privately-printed Poems issued by the Fox and Daffodil Press at Kinuta-mura near Tokyo in 1934, which is elegantly printed on one side of the paper only.

She placed other early stories in such prestigious venues as the New Yorker and the Paris Review. She continues to write for the first of these and other periodicals such as the London Review of Books and the Irish Times, and her stories have appeared in several anthologies.

The paper was published in The English Woman's Journal the following month.

Catherine Fanshawe wrote two political verse satires which appeared anonymously in the Morning Post: Provision for a Family and Speech of the Member for Odium.

UAF 's Observations of a Clerk (published in Poetry Review, 75, 1985) tells the story of her liberation into poetry through the irresponsibility of a really low-status job.Slow Learner, a prose account of her early life and development, appeared in Poetry Matters no. 5, edited by Harry Chambers , in winter 1987, and is reprinted in Eddie Wainwright 's critical book, 1995. Her Scenes from a Provincial Life appeared in Country Living no. 51 in March 1990. In September 1993 she was planning two novels and a radio play. Her lecture in the Laurie Lee memorial series was published as no. 3 in 2002 as Dymock: the time and the place.

As a child AF learned that to write a composition was to have power, moving her words about like an army. She rejoiced in the approval of teachers, and in having her stories read aloud to the class. She began writing for publication while she was a student at Dumfries Academy , when her poetry appeared in Scotland Magazine in 1962.

Temple Bar magazine printed SF 's Recollections of Sir Walter Scott , unpublished in her lifetime.

EHY also wrote poems and stories, which appeared in Good Housekeeping, The English Review, and Time and Tide.The Stream was reprinted in two short-story collections.

A variant form of the beginning of this novel appeared in the first issue of Blast (which was dated 20 June 1914 but was actually published 2 July 1914) under the title The Saddest Story.

Other poetry publications by CFT include Songs of the Twilight Hours (1909, from which many verses had already appeared in Commonwealth, The Spectator, and Goodwill), and a rare, undated, illustrated broadside called Crossing the River.

MF wrote much poetry, but for years she did not publish any of it, being too fastidious a critic of her own work. Some of her poems, however, appeared anonymously in The Spectator.

RF began writing art criticism for the Athenæum, reviewing books and exhibitions and commenting on public policy about the art world.

GF 's first publication appeared, a translation from French into English for Bentley's Miscellany of a poem by Jacques Jasmin titled The Blind Girl of Castel Cuillée.

The Freeman's Journal published a letter from SG complaining of her unfair treatment by the managers of the Capel Street Theatre in Dublin.

The full title was The Royal Captives: A Fragment of Secret History. Copied from an old manuscript. It was published by Robinson in four volumes—though it is, as the full title implies, incomplete. They paid her £200 for the copyright. The work was reprinted at Philadelphia and serialised (after its printing in book form) as The History of an Unfortunate Royal Captive in the Weekly Entertainer. AY 's short, signed preface quotes Shakespeare , mentions her twenty-year relationship with Fancy, and distinguishes between the lovers and the slaves of Fame. For herself she writes, I love Fame, though I have only heard her whispers.

SW 's Directions for the Management of Silk-worms was posthumously published in the Philadelphia Medical and Physical Journal.

In June 1828, on a visit to Robert Owen 's utopian community at New Harmony, Indiana, FW became coeditor (with Owen's son Robert Dale Owen ) of the New Harmony Gazette, a free-thinking periodical designed to speak for the community, which was published in New Harmony from 9 October 1825 until 22 October 1828. She went on to buy this periodical, and from one week to the next it was transformed into The Free Enquirer, published in New York She also expressed her views in political essays in the Memphis Advocate.

EJW 's publisher James Clarke asked her to be the founding editor of his new venture, The Christian World Magazine; she held this position for twenty-one years, relinquishing it shortly before her death.

MW began writing for Joseph Johnson 's Analytical Review.

JW published The World and Other Places, a collection of seventeen short stories, some of which had appeared earlier in periodicals; one had aired as a radio broadcast.

When one of RW 's teachers at Girton College suggested that she try writing fiction, she began to imagine half seriously that I might one day write a book.When she did eventually pick up her pen, the result was merely rubbish for a typewritten private magazine.

HW 's actual surviving letters to Byron were published (with some editorial revising and omission) in the Cornhill Magazine in April 1935. Those to Brougham (written 1824-32) followed in book form in 1975. Those to Byron are in the John Murray collection. Those to Brougham are now at University College , London.

An introduction to the Evangelical publisher Alexander Strahan while she was very young led to SW 's writing for his magazines, the illustrated monthly Good Words, the The Argosy, and The Sunday Magazine. Notable among her periodical works was a series of social sketches for Argosy entitled The Foozy Papers, written under another (and now unknown) pseudonym.SW made money during her lifetime from her writings.