HG admired the English religious writer Isaac Watts . Much of her poetry and many of her prose essays have religious themes; several are commemorative in function. Her prose can be as imaginative as her poetry, and one piece takes the form of a dream. The subjects of her verse elegies include not only family members (her mother, her sister), but other women who are known to history as writers: the Quaker autobiographer and preacher Jane Hoskens as well as Susanna Wright. Of Hoskens she writes that fainting Nature Sigh'd to be undrest, / And drew the Curtains Of her evening rest. Her poem To the Memory of my much esteemed friend Daniel Stanton , who died 1770 was printed by John Comly in the Friends' Miscellany, Philadelphia, 1832. Stanton was a Quaker preacher.

The New-York Magazine; or, Literary Repository printed an extract from SG 's Anecdotes of the Delborough Family.

In the same year that this volume appeared, she published twenty-six poems in the Boston Spectator and Ladies' Album, and won a prize from it for one entitled Hymn to Charity.

Because of the pressures of family and economic circumstances, she did not publish until the age of fifty-four, when she began contributing to Cassell 's Working Man's Friend. After she became blind in her sixties, she dictated her poetry to her son James . Her work was, he recalled, composed amid the bustle and noise incident to the affairs of a family being conducted in a small house, or while she was engaged in conversation with her family or friends.

NH launched her career as a writer by helping a friend who was standing in for the absent art critic on a well-known Sunday paper. The friend was not a journalist but a barrister. However, NH says he understood journalism, though not pictures. She was to get half the payment, which came to thirty shillings a week. For the first number they visited all the galleries in Bond Street, while NH explained the principles of painting. On this basis her friend wrote an article she thought most awfully good. After further articles the barrister had a busy week and devolved the writing to NH . She found she had so much to say about Matissethat I forgot the difficulties of writing for a time. Her very first article was thus published (after revision) under someone else's pseudonym. She clearly enjoyed the experience, but it lasted only three months before the barrister decided he could manage without her help.

EH had four pastorals accepted as contributions by the Coventry Mercurya few years before they were collected in her single publication. The Oxford Dictionary of National Biography mentions her placing poems in both Birmingham and Coventry papers. For these she used the pastoral name of Daphne.

MADH was a frequent contributor of short fiction to what Helen Black calls high-class magazines and Christmas numbers, such as The Gentlewoman and Queen. She also produced articles chiefly on social topics: towards the end of her life she said jokingly that these had superseded novels as her chief interest. Black mentions two titles, The Morality of Money and Free Pardon.

In keeping with standard academic practice, JEH refined her research in journal articles before and after issuing her monographic studies. She published her work in such periodicals as the Journal of Hellenic Studies, the Annual of the British School at Athens, the Edinburgh Review, and the Classical Review.

Productions at Philadelphia and Boston followed. A magazine published at Tarrytown, New York, reprinted the text in 1931.

By the age of eighteen, MH was contributing to periodicals, frequently on women's issues.

A love-song by Frances, Countess of Hertford , which she called Song to a River, was published in Bickham's Musical Entertainer, as The Maid's Request.

In 1929 GH published an essay in the Sphere about her experiences in Tanganyika: she writes, It is not wise to despise the rhino. She also published essays in Punch.

The full title is Immediate, Not Gradual, Abolition: or an Inquiry into the Shortest, Safest, and most Effectual Means of Getting Rid of West Indian Slavery. That year produced several London editions, and one in the United States. An undated, anonymous London edition features a frontispiece illustration of a slave, not kneeling as in the famous Wedgwood medallion but standing in defiance, not asking the famous question (Am I not a man and a brother?) but asserting, I am a man, your brother. A biblical text follows: He hath made of one blood all nations of men. (Acts xvii.26).Immediate, Not Gradual, Abolition was reprinted at Boston in 1838. The American Benjamin Lundy serialised it in his journal Genius in 1826-7.

CH 's earliest publication seems to have been a poem published in the Weekly Westminster Gazette.

After her emigration to Oakland in CaliforniaCH published a story in the Overland Monthly, and planned a whole series of stories both for this publication and for eventual collection in a book. She intended to use her English observations of Amercan life, with some lively ventriloquizing of American expressions, which as used in lively, satirical letters to her eldest son include very mean & real ugly, and real mad (meaning angry). She had not yet been paid for her story in print, and said she was eager to know how much she would get. I don't write for nothing, she assured her son, and declared her intention of publishing as Mrs. C. Austen Hubback—but some or all of this is a comic assumption of American brashness.

K. E. Royds (later Innes) published With the Serbians in Corsica in the Contemporary Review, based on her experiences doing relief work.

LI 's fiction and essays appeared in many publications, both collections and periodicals. She figured in British as well as Caribbean anthologies: in Adventure and Discovery for Boys and Girls (a series published by Jonathan Cape of which the first issue appeared in 1948) and in On the Air: An Anthology of the Spoken Word, 1951. She wrote on history, politics, and sometimes on paranormal phenomena for the Times, the Sunday Times, the Daily Telegraph, The Observer, and the Evening Standard, as well as for The Radio Listener's Week End Book and Magazine Digest.

The Gentleman's Magazine printed AI 's An Epistle to Mr. Pope . By a Lady. Occasioned by his Characters of Women.

The book was entitled Dr. Gully's Story in the USA. Between portraying one of the leading characters in Six Criminal Women and composing the book (which she called a novel), EJ had written about the same case for the Sunday Express. When, after the book's appearance, the BBC decided to do a television programme on Gully, they rejected input from EJ , but she made some changes in the script anyhow since her friend Robert Harris was in the leading role.

Mary Anne Jevons published her poetry in annuals such as The Winter's Wreath, The Juvenile Keepsake, and The Remembrance.

CIJ wrote this work at Inverness to support the Inverness Courier, and re-used material she had first written for that paper. It became a steady best-seller.

By the mid-sixties she was regularly placing stories in Australian journals and anthologies.

Many of the poems included in this volume had previously appeared in Poetry magazine.

In 1998 The Guardian carried two short essays by SK : Drama with balls and The only thing I remember is . . ..