MO 's novel Katie Stewart appeared as a serial (her first) in Blackwood's, to launch her long and fruitful relationship with William Blackwood , famous Edinburgh publisher.

From early in her marriage EN began writing seriously for periodicals, for the sake of the income she could bring in. She submitted work in prose and poetry to the radical Weekly Dispatch, The Argosy, Sylvia's Home Journal (which brought her acquainted with Alice Hoatson ), and many other papers. After a while Hubert Bland began collaborating on the stories she was commissioned to write. One serial, The Social Cobweb, which ran from January to March 1884 in twelve episodes relating five linked stories, brought them three pounds a week during that time from the Dispatch, which was not particularly high-paying. Julia Briggs suspects that they wrote week by week, without any advance plan for resolving their plot.

Under his pseudonym Boz, CD published in parts his first novel, The Pickwick Papers; it appeared in one volume on 17 November 1837.

During these years FHBchurned out stories written to a formula, about temporary difficulties in the romances of elegant, upper-class heroines. She moved into other magazines besides Godey's, and published her first serial over four months from September 1870 in Peterson's Monthly Magazine.

This was serialised in the US in Century Magazine.

When she read two chapters of it to her uncle Sheridan Le Fanu , his response was: You will succeed, and when you do, remember that I prophesied it! He agreed to serialise the novel in the Dublin University Magazine, and paid her £5 for doing so—a sum which, as Broughton noted with amusement, was the precise amount which Milton received for Paradise Lost.

The first part of GE 's The Sad Fortunes of the Rev. Amos Barton appeared anonymously in Blackwood's Edinburgh Magazine; the second and final part followed the next month.

EG 's mournful tale of prostitution, Lizzie Leigh, began serialisation anonymously as the lead piece in the first issue of Household Words.

Scottish Life printed the first set of EG 's fashionarticles, which she framed as weekly letters from Suzon to Grizelda. These formed a series entitled Les coulisses de l'élégance, published as by Mrs. Glyn.

Perhaps anticipating its success, the novel was simultaneously serialised in both England (in Dickens'sAll the Year Round) and the US (in Harper's Weekly).

EW 's phenomenally popular novel East Lynne was serialised in the New Monthly Magazine.

TH published with Tinsley his third novel, A Pair of Blue Eyes (the first to bear his name), before the final instalment appeared in Tinsley's Magazine.

She persevered, however. She names about ten editors, male and female, who took her work at this time, sometimes offering advice as well as payment: a piece for the Sphere won her ten guineas from Clement Shorter . She earned fifty pounds in a few months, but spent it all, and while she lived with her parents they pressured her against a writing career. When she progressed to full-length novels, many of them first appeared as women's-magazine serials, through the agency of Amalgamated Press editor Winifred Johnson .

CPG 's novel What Diantha Did—whose title refers to the popular girls' story What Katy Did by Susan Coolidge (Sarah Chauncey Woolsey )—was published serially in her own journal, the Forerunner.

Henry James serially published his first novel, Watch and Ward, in the Atlantic Monthly.

DMC 's short novel My Mother and I: A Girl's Love Story appeared serially in Good Words; it came out as volume later that year.

The story Berrytown had appeared as a serial in Lippincott's in 1873.

Aunt Judy's Magazine carried JHE 's popular and influential novella about a disabled child, Lætus Sorte Meâ; or, the Story of a Short Life.

MF , under her pseudonym Waif Wander, began the serial publication of her first novel, Bertha's Legacy, in The Australian Journal.

Not all reviewers approved of Sons, but it sold phenomenally (80,000 copies the first month) and brought in $30,000 for serialization by Cosmopolitan. A House Divided was less successful, perhaps because it is so transparently didactic.

McClure's published in serial form WC 's revision of The Life of Mary Baker G. Eddy, from papers left in unpublishable condition by Georgine Milmine (later Wells) .

Marie-Catherine Desjardins published the opening two volumes of a long novel or romance which she never returned to finish, entitled Alcidamie.

Most of KCT 's novels were also serialized before they appeared in book form. These appeared in Blackwood's Edinburgh Magazine, the Daily Mail, Lady's Realm, or Harper's Bazaar.

MS 's The Helpmate began serial publication in the Atlantic Monthly (which, in view of its sexual content, was a remarkable event); in August it appeared in book form.