MS published at Paris (under her brother 's name and in successive volumes) her most famous romance, Artamène; ou, Le grand Cyrus.

It had been running as a serial in Century Magazine since 1906.

SR published the first two volumes of his second epistolary novel, Clarissa.

It had been serialized in Colburn 's New Monthly Magazine (then edited by William Harrison Ainsworth ) under the title Granville de Vigne from January 1861 to June 1863. With Ouida's consent the title was changed to Held in Bondage, and Tinsley paid her £80 for its publication. In November 1880 she wrote to The Times to protest in the strongest manner possible against an illicit theatrical adaptation of this work. This was by no means her only outcry against the practice of stage piracy.

Invited to contribute a serial adventure story (not a detective piece) to the newly launched Daily Express, she proposed the French Revolution story which eventually became The Scarlet Pimpernel, only to be told by the editor that her story absolutely must be modern. The result was The Shamrock, set in turn-of-the-century Russia, which she never reprinted in volume form.

FSH anonymously published what was probably her first work of fiction, Buried in the Deep, a novella serialised in Chambers's Journal.

Because of her mother's impending retirement, EH meant this to be her last book on Kenya. It was to mix travel with politics in the manner of The Sorcerer's Apprentice and A New Earth. It was illustrated by Jonathan Kingdon , whom EH first met on this Kenyan journey. She sent a copy to Jomo Kenyatta (now Prime Minister of Kenya). He did not promise to read it, but said he anticipated glancing through it. The book was serialised in both the Liverpool Daily Post and the Johannesburg Sunday Chronicle.EH wrote with comic exasperation about her experiences doing publicity appearances on television to promote it.

Her other work for periodicals included both articles and serializations in Saint Pauls and Longman's Magazine. She is also listed as a contributor to The Argosy.

She earned fifteen guineas for this piece. It became quite popular, but rumours spread that it was written by Frank Harris . Austin Harrison , editor of the English Review, sent her a letter to ask if she were a man or a woman, and invited her to come and see him. She impressed him with her wit and intelligence, so he introduced her to the owner of the paper, Alfred Mond . FTJ later wrote that from then onwards Alfred and Violet Mond were goodness itself to me and became dear friends.The Mask was serialized in New York's The Forum. It was also translated widely, adapted for film and tv, and became a one-act play of the same title, adapted in collaboration with her husband and published in his Three One-Act Plays, 1926. It was also performed under the title The Black Mask at the Royalty Theatre in London in December 1912.

The Egoist serialised JJ 's autobiographical novel, A Portrait of the Artist as a Young Man: the serialisation began during the brief editorship of Dora Marsden .

The book was serialised in the Strand, where the first instalment appeared alongside one from Edith Nesbit 's The Story of the Amulet, the last of a trilogy featuring children who travel back in time to different historical cultures. Kipling had written Nesbit fan letters about the earlier books in the trilogy, but she now accused him of plagiarism and their friendship broke off.

ELL 's novel or romance entitled Patricia Kemball appeared serially in Temple Bar. It was then published in three volumes, bearing the next year's date.

FM 's non-fiction works include the travel book 'Gup', Sketches of Anglo-Indian Life and Character, 1868, and her Life and Letters of Captain Marryat, 1872. 'Gup' appeared serially in Temple Bar before being printed in a volume. The first word in the title comes from the Hindu word for gossip, and FM wrote it without benefit of notes or written records of her time in India. She gave her sister Augusta full credit for her invaluable help with the research for the Life and Letters of Captain Marryat. (This was before they quarrelled.) In 1893 she edited The Clairvoyance of Bessie Williams, an account of her career by a well-known spiritualist medium (also known as Bessie Davies from her husband's name), who had, besides, featured in There Is No Death. This book was billed on its title-page as related by herself, so that the role FM claimed for herself was that of ghost-writer or transcriber.

Sarah Maese signed the preface to the otherwise anonymous first volume of The School, being a Series of Letters, Between a Young Lady and her Mother.

Reviewers judged EA 's subsequent novels to be largely forgettable. Macmillan published her Introduction to Sally in 1926 (a comedy which is Pygmalion-like but not otherwise Shavian ); her Expiation in 1929 (an exploration of the after-effects of adultery, also serialized in Nash's Magazine and Delineator); and her Father in 1931 (a town-and-country story of father-daughter relations, and an American Book-of-the-Month-Club choice). After this EA published the rest of her novels with Heinemann , beginning with The Jasmine Farm in 1934.

This book famously began in the form of a serial entitled Positron, published online with Byliner . As a volume it is dedicated to Marian Engel , Angela Carter , and Judy Merril , [a]nd for Graeme , as ever.

HB issued two instalments (she promised another, which seems not have appeared) of The Kirwanade, or Poetical Epistle, a political lampoon; the second edition or re-issue called her Patt. Pindar.

EOB 's first novel, A Woman Scorned, was published under her pseudonym in three volumes in London. The Nation had previously published it serially in the early 1870's as In at the Death.

A Tuscan Wedding, a short story by IB , was published in Once a Week: An Illustrated Miscellany, in five chapters.

AEB 's The History of Maria Kittle, an epistolary novel which draws on actual life, appeared posthumously in serial form in the New-York Magazine.

A regular feature was a serially-continued story. The first of these, The Adventures of the Wishing Chair, appeared in volume form by the end of the year and did very well. In its new form Sunny Stories continued until February 1953.

Parts of CC 's critical biography The Life of Robert Burns (published this month and dedicated to her husband, Donald Carswell , and to D. H. Lawrence ) were serialised in the GlasgowDaily Record and Sunday Mail.

CC published in instalments A Narrative of her life, which she said she had begun writing about five years earlier.

MC 's travel book Over the Andes, from the Argentine to Chile and Peru was published in volume form after serialization through all twelve 1895 issues of Leisure Hour.