The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols.
5: 934
Connections Sort descending | Author name | Excerpt |
---|---|---|
Performance of text | Hannah Cowley | HC
's comedy A School for Greybeards; or, The Mourning Bride opened at Covent Garden
. Its subtitle, confusingly, is the same as the title of William Congreve
's only tragedy, The Mourning Bride, 1697. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 934 |
Performance of text | Maria Theresa Kemble | MTK
played Lady Elizabeth Freelove (opposite her husband
) in her comic interlude The Day After the Wedding; or, a Wife's First Lesson, at Covent Garden
. Feminist Companion Archive. |
Performance of text | Hannah Cowley | HC
's generically hybrid spectacular play with music or comic opera, A Day in Turkey; or, The Russian Slaves, opened at Covent Garden
to great acclaim. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 1409 Escott, Angela. The Celebrated Hannah Cowley. Pickering and Chatto, 2012. 1 |
Performance of text | Catherine Gore | CG
's next play, Modern Honour; or, The Sharper in High Life, opened at Covent Garden
, only to prove her first unequivocal flop. Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, 1999, pp. 1-34. 9 |
Performance of text | Hannah Cowley | HC
's last play, the comedy The Town Before You, opened at Covent Garden
. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 1709 |
Performance of text | Catherine Gore | CG
's next play, King O'Neil; or, The Irish Brigade, opened at Covent Garden
: a spectacular comedy-drama. Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, 1999, pp. 1-34. 15 |
Performance of text | Joanna Baillie | Of the twenty-eight plays that JB
wrote, only seven were professionally produced. These were De Monfort,The Family Legend, Henriquez, The Separation, The Election, Constantine Paleologus, and Basil... |
Performance of text | Catherine Gore | CG
's historical drama Don Juan of Austria (adapted from Don Juan D'Autriche by Casimir Delavigne
) began a twelve-night run at Covent Garden
. Parts of this story overlap with Friedrich Schiller
's Don... |
Performance of text | Charlotte Lennox | CL
's comedy The Sister was disastrously staged at Covent Garden
. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 4: 1386 Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press, 1973–1993. |
Performance of text | Frances Brooke | FB
's tragedy The Siege of Sinope opened at Covent Garden
; it played for ten nights—a gratifyingly long run. Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press, 1996. 381 |
Performance of text | Frances Brooke | FB
's first musical, Rosina, set to music by William Shields
, opened at Covent Garden
. Mary Robinson
performed in the mainpiece at Covent Garden that night; but if she was in Rosina... |
Publishing | Isabel Hill | Through his connections, Benson Hill had the play presented to Covent Garden Theatre
. Though the management chose not to produce the play, they provided IH
with a long letter full of encouragement and constructive... |
Publishing | Mary Russell Mitford | From August 1823 MRM
was planning a grand historical tragedy on the greatest subject in English story—Charles and Cromwell. qtd. in Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers, 1870, 2 vols. 2: 16 |
Publishing | Emma Robinson | |
Publishing | Sophia Lee |
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