Federman, Raymond, and John, 1937 - Fletcher. Samuel Beckett. University of California Press, 1970.
65
Connections Sort descending | Author name | Excerpt |
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Performance of text | Samuel Beckett | SB
's play Fin de partie (Endgame), a bleak piece about alienation set in a desolate world, was published in Paris. The next month it had its first performance (in French) at the Royal Court
, London. Federman, Raymond, and John, 1937 - Fletcher. Samuel Beckett. University of California Press, 1970. 65 Parker, Peter, editor. The Reader’s Companion to Twentieth-Century Writers. Fourth Estate and Helicon, 1995. 60 Taylor, John Russell. The Penguin Dictionary of theTheatre. Penguin, 1968. 91 |
Performance of text | Sarah Daniels | Another play by SD
opened at the Royal Court Theatre
Upstairs: The Madness of Esme and Shaz, performed by the English Stage Company
. Griffin, Gabriele. “Violence, Abuse, and Gender Relations in the Plays of Sarah Daniels”. The Cambridge Companion to Modern British Women Playwrights, edited by Elaine Aston and Janelle Reinelt, Cambridge University Press, 2000, pp. 194-11. 207 Daniels, Sarah. Plays: Two. Methuen, 1994. 264, chronology |
Performance of text | Samuel Beckett | SB
's play Endgame was banned from performance at the Royal Court
in London by the Lord Chancellor since the Deity was called a bastard. It finally opened in November this year. Cohn, Ruby. Back to Beckett. Princeton University Press, 1973. xi |
Performance of text | Caryl Churchill | CC
's immensely controversial ten-minute work Seven Jewish Children—a Play for Gaza premiered at the Royal Court Theatre
in London, causing a furore which spread globally over the next few months. Churchill, Caryl. “Read Caryl Churchillapos;s Seven Jewish Children”. guardia.co.uk, 2009. |
Performance of text | Githa Sowerby | GS
's realist drama Rutherford and Son was first produced at the Court Theatre
in London, where it had four matinée performances. Stowell, Sheila. A Stage of Their Own. University of Michigan Press, 1992. 166, 130 |
Performance of text | Samuel Beckett | SB
's Krapp's Last Tape, a play written originally in English for actor Patrick McGee or Magee
, was first performed by the English Stage Company
at the Royal Court
in London. Federman, Raymond, and John, 1937 - Fletcher. Samuel Beckett. University of California Press, 1970. 31 Parker, Peter, editor. The Reader’s Companion to Twentieth-Century Writers. Fourth Estate and Helicon, 1995. 59 |
Performance of text | Caryl Churchill | A play by CC
entitled Love and Information opened at the Royal Court Theatre
for a five-week run; it was published the same year. de Angelis, April. “Caryl Churchill: changing the language of theatre”. Guardian.co.uk, 7 Sept. 2012. Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Performance of text | Sarah Daniels | The original production, directed by Jules Wright
, moved with only one cast change from Manchester to London, to the Royal Court Theatre Upstairs
, in November 1983, and to the main auditorium on... |
Performance of text | Elizabeth Robins | ER
's suffrage play, Votes for Women (one of the earliest in the genre), was first performed at the Court Theatre
. Stowell, Sheila. A Stage of Their Own. University of Michigan Press, 1992. 165 Liggins, Emma. “The ’Sordid Story’ of an Unwanted Child: Militancy, Motherhood, and Abortion in Elizabeth Robins’s Votes for Women and Way Stations”. Women’s Writing, Vol. 25 , No. 3, Aug. 2018, pp. 347-61. 350 |
Performance of text | Samuel Beckett | SB
's play Happy Days opened for the first time in Britain at London's Royal Court
. Its female protagonist, Winnie (who spends the evening largely buried in sand), was played by Brenda Bruce
. Federman, Raymond, and John, 1937 - Fletcher. Samuel Beckett. University of California Press, 1970. 33 |
Performance of text | Caryl Churchill | CC
's short play Escaped Alone, with its extraordinary cast of four ordinary women, all but one aged seventy or older, opened at the Royal Court Theatre
in London for a run of two... |
Performance of text | Sarah Daniels | SD
dedicated this play to all the friends, both mothers and teachers who have shared their experiences with me. She acknowledged the influence of Phyllis Chesler
's interpretation of the myth of Demeter and Persephone... |
Performance of text | Harold Pinter | HP
's next play, Ashes to Ashes, opened at the Ambassadors Theatre
. The production was by the Royal Court Theatre
(in exile while its buildings were renovated), and directed by the author. “Harold Pinter (1930 - 2008)”. doollee.com: Playwrights. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Performance of text | Ann Jellicoe | AJ
's play The Sport of My Mad Mother, originally written for a newspaper competition, opened at the Royal Court Theatre
in London. Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press, 1996. 220-1 |
Performance of text | Shelagh Delaney | A second, moderately successful production of SD
's play The Lion in Love opened at London's Royal Court Theatre
, where it was presented by the English Stage Company
. Delaney, Shelagh. The Lion in Love. Methuen, 1961. prelims Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press, 1996. 121 |
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