Kempe, Margery. “Introduction”. The Book of Margery Kempe, edited by Sanford Brown Meech et al., Oxford University Press, 1940, p. vii - lii.
xxxii-xxxiii
British Library
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Textual Production | Angela Thirkell | The British Library
holds the manuscript of Miss Bunting. |
| Textual Production | Constantia Grierson | A political poem in CG
's volume (untitled, about the willingness of the Anglo-Irish gentry to spend any money to get into the purely figurehead Irish Parliament
) also survives in a copy among Lord Oxford |
| Textual Production | Margery Kempe | This original manuscript is not extant. The text survives only in one copy (slightly damaged by mice or rats) by a third scribe, made around 1450. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
| Textual Production | Susanna Haswell Rowson | She dedicated it to a baronet's wife, Lady Cockburn
. Since Robinson
(who had not published her previous novel) had paid her thirty pounds as long ago as March 1783, it seems that this must... |
| Textual Production | Mary Leadbeater | ML
's The Pedlars, A Tale, written for the Kildare Place Society
, seems to have been published not long before her death. Though it is unlisted in OCLC WorldCat, the British Library |
| Textual Production | Louisa Anne Meredith | A book published in 1865 entitled The Lacemakers, Sketches of Irish Character has been wrongly attributed to LAM
. The Dictionary of Literary Biography and other sources credit it to her, though the British Library |
| Textual Production | Mary Webb | MW
's unfinished, final fiction, the historical novel, Armour Wherein He Trusted, was posthumously published one year after her death, with some short pieces. The Bodleian Library
holds a copy of this edition (with... |
| Textual Production | Mary Pix | MP
's comedy The Different Widows; or, Intrigue all-a-Mode, was anonymously published, dedicated to the Countess of Salisbury
. The widowed Countess of Salisbury was also celebrated by Anne Finch
. A manuscript note... |
| Textual Production | Hannah More | HM
was a formidably energetic letter-writer all her life, from her early visits to London, which produced scintillating and gossippy letters home, to her old age. Individual collections reached print, like those to Zachary Macaulay |
| Textual Production | Anne Bacon | Searches have turned up numbers of AB
's papers, surviving in the British Library
and among her son Anthony's papers at Lambeth Palace
in London. Martin, Julian. Conversations about Anne Bacon with Isobel Grundy. 1992. |
| Textual Production | Elizabeth Elstob | The British Library
holds some of EE
's papers. Her manuscripts among the Ballard Collection in the Bodleian Library
include this biography, her notes for female biography, a short autobiography written in the third person... |
| Textual Production | Harriet Tytler | When HT
's manuscript was acquired by Gerald Sattin
a large number of letters and other papers were destroyed. In the view of his son, their editor, the Memoirs were the only important materials to... |
| Textual Production | Lucy Hutchinson | The parody To Mr Waller
upon his panegirique to the Lord Protector is almost certainly by LH
; the ascription rests on Clarendon
's annotation. Hutchinson, Lucy. “Introduction, Chronology”. Order and Disorder, edited by David Norbrook, Blackwell, 2001, p. i - lviii. x Lucretius, and Lucretius. “Introduction”. Lucy Hutchinson’s Translation of Lucretius, "De rerum natura", edited by Hugh De Quehen, translated by. Lucy Hutchinson, University of Michigan Press, 1996, pp. 1-20. 6 The manuscript spells Mr with a following colon.... |
| Textual Production | Catharine Macaulay | There is no extensive collection of manuscripts by CM
, but letters by her are held in various libraries in the USA: the Rhode Island Historical Society
, the Boston Public Library
, the... |
| Textual Production | Mary Lady Chudleigh | Some of her letters remain in the British Library
and the Bodleian Library
. |
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