“The Ferrers of Baddesley Clinton”. Shakespeare Birthplace Trust.
Richard Bentley and Son
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Publishing | Georgiana Chatterton | She had signed the agreement with her publisher, Richard Bentley
, on 4 December 1861. |
Publishing | Jessie Fothergill | The copyright of the novel initially sold for £40 on 26 March 1877. Two months later, Richard Bentley and Son
recognized its commercial possibilities and drew up a new contract, increasing the price to £200... |
Publishing | Frances Mary Peard | FMP
's novel Donna Teresa (submitted first to Bentley
with an enquiry about terms) was brought out by Macmillan
after the latter took over the former. “Frances Mary Peard, 1835-1922”. Cornell University Library: Women in the Literary Marketplace, 1800-1900: Getting into Print. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Publishing | Rhoda Broughton | RB
's quasi-autobiographical novel A Beginner was published by Bentley
; its serialization in Temple Bar appeared from January to June the same year. Cox, Michael, editor. The Oxford Chronology of English Literature. Oxford University Press, 2002, 2 vols. Wood, Marilyn. Rhoda Broughton: Profile of a Novelist. Paul Watkins, 1993. 81 Houghton, Walter E., and Jean Harris Slingerland, editors. The Wellesley Index to Victorian Periodicals 1824-1900. University of Toronto Press, 1966–1989, 5 vols. 3: 482 |
Publishing | Julia Kavanagh | Bentley
paid her £48 for the copyright. New editions followed in 1857 and 1884. Fauset, Eileen. The Politics of Writing: Julia Kavanagh, 1824-77. Manchester University Press, 2009. 37 British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Publishing | Georgiana Chatterton | Its working title had been The O'Neills. GC
sold the copyright to Richard Bentley
on 14 August 1863 for a hundred and fifity pounds. “The Ferrers of Baddesley Clinton”. Shakespeare Birthplace Trust. |
Publishing | Jessie Fothergill | |
Publishing | Frances Mary Peard | When she made her enquiry of Bentley, FMP
felt that she had supplied this novel with a tidy name (the one under which it finally appeared) or even two to choose from. qtd. in “Frances Mary Peard, 1835-1922”. Cornell University Library: Women in the Literary Marketplace, 1800-1900: Getting into Print. |
Reception | Helen Mathers | Comin' Thro' the Rye sold over 35,000 copies for publisher Bentley and Son
. HM
had made a bad mistake in selling for 30 guineas the copyright in a novel which went on to make... |
Reception | Ouida | This novel was successful enough to make publisher Richard BentleyRichard Bentley and Son
consider taking over publication of Ouida
's novels from Chapman and Hall
. qtd. in Jordan, Jane. “Ouida: The Enigma of a Literary Identity”. Princeton University Library Chronicle, Vol. 57 , No. 1, 1 Sept.–30 Nov. 1995, pp. 75-105. 87 |
Reception | Rosa Nouchette Carey | The British Library
holds RNC
's correspondence with two of her publishers, Bentley
and Macmillan
, while Columbia University
, New York, holds her correspondence with Hodder and Stoughton
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. “Hodder and Stoughton Records 1875-1914”. Columbia University in the City of New York, Rare Book & Manuscript Library. |
Residence | Harriet Martineau | On her arrival she was courted by publishers Richard Bentley
, Henry Colburn
, and William Saunders
for the right to issue reprints and new books. Martineau, Harriet, and Gaby Weiner. Harriet Martineau’s Autobiography. Virago, 1983, 2 vols. 2: 95-100 |
Textual Features | Catherine Gore | CG
told Sydney Morgan
that her publisher, Bentley
, had both thought of the subject and suggested the title. But with this self-exculpation she admitted that her protagonist was based on Mary, Countess of Cork and Orrery |
Textual Production | Frances Power Cobbe | By early 1876, someone using the name of Fanny Power Cobbe
(legitimately as it turned out, but apparently impersonating FPC
) sent submissions to George Bentley
(of the publishing house
), Tinsley's Magazine, and... |
Textual Production | May Laffan | Richard Bentley
published, anonymously, the edition of ML
's Christy Carew which is reckoned by most scholars (though not by Helena Kelleher Kahn
), to be the first. Athenæum. J. Lection. 2728 (1880): 182 |
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