Williams, Neville et al. Chronology of the 20th Century. Helicon, 1996.
529
Connections Sort descending | Author name | Excerpt |
---|---|---|
Reception | Enid Blyton | During the second world war EB
's reputation ensured her access to paper despite shortages and to her publisher's list despite the curtailment of such lists in general. She received practically no rejections of her... |
Reception | Barbara Pym | |
Reception | Marina Warner | Subsequently, Warner has been a Visiting Fellow at the British Film Institute
(1992), Trinity College, Cambridge
(1998), the Humanities Research Centre, Warwick University
(1999), Stanford University
(2000), and All Souls College
, Oxford (2001). She... |
Reception | George Eliot | The novel has never been a feature film, but was adapted as a highly successful BBC
television series in 1994. Williams, Neville et al. Chronology of the 20th Century. Helicon, 1996. 529 |
Reception | Josephine Tey | Tey's novel was made into a BBC
television movie in 1986. It was also the unacknowledged basis for the 1963 film Paranoiac, directed by Freddie Francis
. The Internet Movie Database (IMDb). http://www.imdb.com. Tey, Josephine. Brat Farrar. Penguin, 1980. front cover |
Reception | Anne Devlin | AD
has read two of these stories on BBC Radio 4
: Five Notes after a Visit (1986) and First Bite (1990). Devlin, Anne. The Way-Paver. Faber and Faber, 1986. prelims “Anne Devlin”. Alan Brodie Representation. |
Reception | Muriel Spark | Spark's editor, Alan Maclean
, told her: You've hit the jackpot today. qtd. in Spark, Muriel. Curriculum Vitae: Autobiography. Constable, 1992. 213 |
Reception | George Eliot | A BBC
adaptation of the novel, 2002, made marital rape a major feature in its interpretation of Grandcourt's silent cruelty which, as critic Andrew Dowling
notes, operates as a sign of some truth beyond itself... |
Reception | Josephine Tey | |
Textual Features | Kathleen Jamie | This collection keeps in mind the Scots element in the title as well as the birth element. It interprets the latter broadly to include various metaphorical kinds of birth and renewal. KJ
writes here in... |
Textual Features | Alice Meynell | The Rainy Summer exemplifies her lively descriptions of landscape; it ends, Bees, humming in the storm, carry their cold / Wild honey to cold cells. Larkin, Philip, editor. The Oxford Book of Twentieth-Century English Verse. Clarendon Press, 1973. 34 |
Textual Features | Wendy Cope | |
Textual Features | Wendy Cope | The title punctures its own potential pretentiousness with reference to The Archers, the much-loved BBC
radio serial of country life. Cope's prose style, like her poetry, is dialogic and punchy. When she gave up... |
Textual Features | Viola Meynell | Correspondents represented in the volume include Freya Stark
, as well as Bernard Shaw
, Siegfried Sassoon
, and Walter de la Mare
. This volume was adapted for television by the BBC
in 1988, without crediting VM
. MacKenzie, Raymond N. A Critical Biography of English Novelist Viola Meynell, 1885-1956. Edwin Mellen, 2002. 349 |
Textual Features | Lesley Storm | This play effectively portrays the aftermath in Britain of the defection of Guy Burgess
and Donald Maclean
, who fled to the Soviet Union on 25 May 1951 after years of spying for Communist
Russia... |
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