Faber and Faber

Connections

Connections Sort descending Author name Excerpt
Publishing Elizabeth Ham
It appeared in a version which is only about half as long as the original. Eric Gillett , the editor, compressed the book by fifty thousand words, partly because of wartime paper shortage, but partly...
Publishing Deborah Levy
This was Levy's first book to face the difficult environment for literary novels produced by the rise of Amazon and the end of regulation for book prices. Less commercial, more cerebral fiction was no longer...
Publishing Alison Uttley
AU kept publishing well into her seventies. A book of essays, Plowmen's Clocks, 1952, was followed by Here's a New Day in October 1956, another collection of reminiscent essays, twelve in number. About a...
Publishing Lucy Boston
LB was already a passionate painter when she turned to writing, infused with enthusiasm by the house she had bought. The manor gave her the inspiration for her books, and she has said that All...
Publishing Seamus Heaney
A paperback from Farrar, Straus and Giroux appeared in 1985. SH issued a revised edition of this poem ten years later through Faber and Faber as Sweeney's Flight. In this edition some passages appear...
Publishing Iris Murdoch
The first novel which IM offered to a publisher was read by T. S. Eliot for Faber and Faber ; he rejected it, perhaps on grounds of the wartime paper shortage.
Conradi, Peter J. Iris Murdoch. A Life. HarperCollins, 2002.
170
Publishing W. H. Auden
WHA published with Random House in New York a book of criticism entitled The Enchafèd Flood; or, the Romantic Iconography of the Sea; it appeared from Faber in London the following year.
British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo.
Publishing Carol Ann Duffy
Faber and Faber 's Grimm Tales, 1996, brings together CAD 's versions with Supple's (often only slightly changed) performance scripts, with Melanie Still 's illustrations, and various kinds of information designed to assist new...
Publishing Elspeth Huxley
They had begun planning such a book after meeting at a Colonial Conference in summer 1941, at Oxford , where Perham was Reader in Colonial Administration. Lord Lugard supplied an introduction.
Nicholls, C. S. Elspeth Huxley. HarperCollins, 2002.
166, 168
Faber and Faber
Publishing W. H. Auden
WHA again published a critical book, The Dyer's Hand and Other Essays, with Random House in New York the year before it appeared from Faber in London.
Spears, Monroe K. The Poetry of W.H. Auden. The Disenchanted Island. Oxford University Press, 1968.
260
British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo.
Publishing Harold Pinter
Faber printed the two plays together this year; Samuel French issued an edition of Celebration alone in 2002.
Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true.
Publishing Alison Uttley
A bomb on the London offices of Faber destroyed (among other things) the typescript of AU 's play Little Grey Rabbit to the Rescue, which had been rejected for the stage by the Theatre Royal, Windsor
Publishing W. H. Auden
While an undergraduate at Oxford (from October 1925) he discovered T. S. Eliot , and was for a while obsessively modernist, as he had previously been traditional in the style of Thomas Hardy . He...
Publishing Anne Sexton
AS 's Selected Poems was issued in England by Oxford University Press , whose editor Jon Stallworthy had approached her as a step in its campaign to challenge Faber and Faber for supremacy as the...
Publishing Ann Jellicoe
The play opened in Cambridge because the Royal Court , despite their earlier supportiveness, wanted to test the waters before staging another Jellicoe play in London. AJ credits John Osborne for persuading them to produce...

Timeline

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Texts

Coward, Rosalind. Our Treacherous Hearts. Faber and Faber, 1992.
Coward, Rosalind. Our Treacherous Hearts. Paperback ed, Faber and Faber, 1993.
Coward, Rosalind. The Whole Truth. Faber and Faber, 1989.
Cowie, Anne. “Organized Labour”. Nursing, Midwifery and Health Visiting since 1900, edited by Peta Allen and Moya Jolley, Faber and Faber, 1982.
Cunnington, C. Willett et al. The History of Underclothes. Revised, Faber and Faber, 1981.
Daniels, Sarah. Morning Glory. Faber and Faber, 2001.
Daniels, Sarah. “Taking Breath”. New Connections 99. New Plays for Young People, Faber and Faber, 1999, pp. 561-0.
Devlin, Anne. After Easter. Faber and Faber, 1994.
Devlin, Anne. Ourselves Alone. Faber and Faber, 1986.
Devlin, Anne. The Way-Paver. Faber and Faber, 1986.
Dickinson, Emily. The Complete Poems of Emily Dickinson. Editor Johnson, Thomas, Faber and Faber, 1970.
Drake, Nick et al. “Introduction, editorial materials”. New Connections 99. New Plays for Young People, Faber and Faber, 1999, pp. vii - xiii, 602.
Duffy, Carol Ann, editor. 1914: Poetry Remembers. Faber and Faber, 2013.
Duffy, Carol Ann et al. Grimm Tales. Faber and Faber, 1996.
Eliot, T. S. “Apology for the Countess of Pembroke”. The Use of Poetry and the Use of Criticism, Faber and Faber, pp. 37-52.
Eliot, T. S. Ash-Wednesday. Faber and Faber.
Eliot, T. S. Collected Poems 1909-1962. Faber and Faber, 1968.
Eliot, T. S., and Djuna Barnes. “Introduction”. Nightwood, Faber and Faber, 1950.
Eliot, T. S. Knowledge and Experience in the Philosophy of F.H. Bradley. Faber and Faber.
Eliot, T. S. Murder in the Cathedral. Faber and Faber, 1936.
Eliot, T. S. Notes Towards the Definition of Culture. Faber and Faber.
Eliot, T. S. Old Possum’s Book of Practical Cats. Faber and Faber.
Eliot, T. S. Old Possum’s Book of Practical Cats. Illustrated edition, second impression, Faber and Faber, 1943.
Eliot, T. S. On Poetry and Poets. Faber and Faber, 1957.
Eliot, T. S. Selected Essays, 1917-1932. Faber and Faber.