OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
Routledge/Thoemmes
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Publishing | Charlotte Riddell | |
| Publishing | Harriet Martineau | Before the end of the year that saw the first volume in print, Mary Russell Mitford
had heard (though it was probably an exaggeration) that HM
had made more than £1,000 from those little eighteen-penny... |
| Publishing | Hannah More | A facsimile reprint of this volume appeared in 1996, as part of Routledge/Thoemmes Press
's boxed set, the Romantics: Women Poets 1770-1830, costing $US995 or £650. |
| Publishing | Sydney Owenson Lady Morgan | The novel quickly went through seven editions. French and German translations were titled from the heroine Glorvina or Glorwina Wordsworth, Jonathan. The Bright Work Grows: Women Writers of the Romantic Age. Woodstock Books, 1997. 159 Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 2: 237 |
| Publishing | Eva Figes | EF
received a Research Award from the Leverhulme Trust
for work on this study. It was reprinted by Pandora
in 1990. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
| Publishing | Ann Yearsley | A facsimile reprint appeared in 1996, as part of Routledge/Thoemmes Press
's boxed set, the Romantics: Women Poets of the Romantic Period, 1770-1830, costing $US995 or £650. |
| Publishing | Luce Irigaray | Routledge
used the title I Love to You: Sketch for a Happiness within History in the USA, but I Love to You: Sketch of a Possible Felicity in History in Britain. |
| Publishing | Mary Leadbeater | These two volumes were re-issued in facsimile by Routledge
in 1998, with an introduction by ML
scholar Maria Luddy
. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
| Publishing | Agnes Strickland | |
| Publishing | Harriet Lee | John Murray
paid HL
£300 in probably 1822 for the copyright of the Canterbury Tales; but he made a loss, for sales of his re-issue did not cover his printing expenses, let alone the... |
| Textual Features | Catherine Crowe | Her preface anticipates the demise of the three-volume novel. Routledge and Co.
had solicited her to write an original novel for their cheap series, and she resolved to make the experiment. qtd. in Oliphant, Margaret et al. Women Novelists of Queen Victoria’s Reign. Hurst and Blackett, 1897. 155 |
| Textual Production | Penelope Shuttle | In later 1976Routledge and Kegan Paul
issued The Glass Cottage, A Nautical Romance, another joint fiction by PR and PS
,with a quote from Heraclitus
on the title-page about the stream of creation... |
| Textual Production | Grace Aguilar | Fifty years after her death, Routledge
printed two early Tales from British History by Grace Aguilar
: Macintosh, the Highland Chief, a Tale of the Civil War, and Edmund
, the Exiled Prince, and... |
| Textual Production | Anna Atkins | This makes a very different appearance from her former novels. Published by Routledge, Warne, and Routledge
in their series Routledge's Cheap Literature at eighteen pence, it sports a paper-on-board cover with an illustration of a... |
| Textual Production | Mary Anne Barker |
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