T. S. Eliot

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Standard Name: Eliot, T. S.
Used Form: Thomas Stearns Eliot
TSE , an American settled in England, was the dominant voice in English poetry during the first half of the twentieth century, as well as an immensely influential critic. His early experimental poems excel at catching an atmosphere or mood, often a moment of stasis and self-doubt. The Waste Land, a brilliant collage of fragments, has been seen to express the fears of a whole society about the threatened end of culture and amenity called civilization. After Eliot's conversion to Christianity his poetry moved to sombre investigations of the spiritual life: of time, fate, decision, guilt, and reconciliation. Meanwhile his criticism grappled with the the relation of past to present in terms of the contemporary relationship to tradition. TSE also wrote lively comic verse, and in theatrical writing he moved on from pageant and historical religious drama to symbolic representation of spiritual issues through events in banal daily life.

Connections

Connections Sort descending Author name Excerpt
Textual Production Virginia Woolf
The article formed the basis
Hussey, Mark. Virginia Woolf A to Z. Facts on File, 1995.
168
of a paper titled Character in Fiction that VW read to the Heretics Society in Cambridge on 18 May 1924. The paper was published, as Character in Fiction...
Textual Production Q. D. Leavis
This suggests that QDL had some part in F. R. Leavis's domination of the teaching of English at Cambridge (through ideas linked to the schools of Practical Criticism and New Criticism), with his published works...
Textual Production Marianne Moore
In the early 1920s MM was already an influential New York reviewer, who covered such landmark texts as T. S. Eliot 's The Sacred Wood, 1921, Bryher 's first novel, Development, also in...
Textual Production Sir James George Frazer
The Golden Bough, a comparative study of human beliefs from the earliest times, had a major influence on modernist writings. SJGF 's text outlines an evolving belief system, which moves from magic, to religion...
Textual Production Q. D. Leavis
This volume contains four lectures given by the Leavises at Harvard and Cornell , three of which are by F. R. Leavis: Luddites? or, There is Only One Culture, Eliot 's Classical Standing...
Textual Production Una Marson
Marson initially approached T. S. Eliot to write the preface, but he refused, so she turned to L. A. G. Strong , a British writer and a colleague at the BBC . She dedicated the...
Textual Production Marianne Moore
White argues that Moore was essentially two separate poets, pre- and post-World War Two. She chooses to present the earlier one of the two, the poet whom Eliot , Stevens , Williams , and Bishop
Textual Production Monica Furlong
MF published The End of Our Exploring, a work about the spiritual life titled from T. S. Eliot 's Little Gidding, and dedicated to the memory of her father, Alfred Furlong .
Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk.
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Furlong, Monica. The End of Our Exploring. Hodder and Stoughton, 1973.
prelims
Textual Production Storm Jameson
Jameson had been approached by the Ministry of Information once the USA had entered World War II, for suggestions on how to cement Anglo-American relations.
Jameson, Storm. Journey from the North. Harper and Row, 1970.
524
The resulting volume includes work by Phyllis Bentley ,...
Textual Production Virginia Woolf
The press issued this little book on the same day as Eliot 's Poems and John Middleton Murry 's The Critic in Judgment.
Textual Production Anne Ridler
Of the fourteen poets invited to read four were women: Edith Sitwell , Kathleen Raine , Dorothy Wellesley , and Ridler. Sitwell and T. S. Eliot sat on either side of the Chair of the evening, Desmond MacCarthy .
Ridler, Anne. Memoirs. The Perpetua Press, 2004, p. 240 pp.
141
Textual Production Vita Sackville-West
VSW followed her Behn biography two years later with Andrew Marvell, to open Faber and Faber 's series The Poets on the Poets (in which the second volume was provided by Eliot writing on Dante ).
Glendinning, Victoria. Vita. Penguin, 1984.
222
Textual Production Edith Sitwell
These volumes were milestones in the development of English modernism, posing a serious challenge to the poetic orthodoxies of the day, through verbal music, incongruous imagery, and a touch of surrealism, rather than the understatement...
Textual Production Elizabeth Jennings
EJ titled another poetry volume, Consequently I Rejoice, with words from T. S. Eliot 's Ash Wednesday, quoting the context of the phrase as an epigraph.
British Book News. British Council.
(1977): May insert
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Textual Production Doris Lessing
DL published, in London and New York, her first novel, The Grass is Singing.
The idyllic sound of the novel's title is belied by its context in T. S. Eliot 's The Waste Land...

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