Gingold, Hélène. “Some Press Opinions”. Seven Stories, Remington, 1893.
The Season: A Cycle of Verse
George Gordon sixth Baron Byron
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Standard Name: Byron, George Gordon,,, sixth Baron
Used Form: Lord Byron
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Mary Elizabeth Braddon | MEB
was encouraged to write from an early age, particularly by her mother. She would later recall how when she was eight and had just learned to write, her godfather bought her a beautiful brand... |
| Intertextuality and Influence | Antonia Fraser | For readers familiar with the Shakespeare
comedy (as Jemima certainly is), parallels are discernible between the personages and situations on stage and those of the actual world—parallels which are unsettling rather than helpful for Jemima... |
| Intertextuality and Influence | Marie Corelli | Ziska is openly critical of the writings of Zola
, while praising those of Lord Byron
. It also condemns the hypocrisy and destruction of Western imperialism at the fin de siècle: We take possession... |
| Intertextuality and Influence | Hélène Gingold | She said that some of the poems contained in this volume were written before the age of fifteen. Gingold, Hélène. “Some Press Opinions”. Seven Stories, Remington, 1893. New York Herald: A Cycle of Verse |
| Intertextuality and Influence | Harriet Lee | This tale reached its fifth edition independently of the other Tales in 1823, when it appeared as a kind of trailer to John Murray
's projected edition of the whole series. Byron
recognised Kruitzner as... |
| Intertextuality and Influence | Louisa Anne Meredith | Most of the section called Poems, as well as some other pieces, describe flowers or other features of the natural world. Nature and poetry (which is celebrated in the opening Invocation to Song)... |
| Intertextuality and Influence | Emily Brontë | Despite the slightness of her oeuvre and Wuthering Heights's initial lack of popularity, EB
emerged early as a major influence on other writers. Matthew Arnold
paid early tribute by comparing her to Byron
in... |
| Intertextuality and Influence | Sarah Wentworth Morton | The title-page quotes romantic, melancholy lines from Byron
's Childe Harold. Bottorff, William K., and Sarah Wentworth Morton. “Introduction”. My Mind and its Thoughts, Scholars’ Facsimiles and Reprints, 1975, pp. 5-16. 12 |
| Intertextuality and Influence | Dinah Mulock Craik | Freed as a disabled woman from the expectations of conventional femininity, Olive leads an independent life and struggles to become a successful painter, strengthened by her reading of Shelley
and Byron
. But she foregoes... |
| Intertextuality and Influence | Ann Hatton | The title-page quotes Milton
and an unidentified French writer. Each of the unusually long chapters (four to a volume) is headed by a summary and a quotation, often from Shakespeare
or Byron
or attributed only... |
| Literary responses | Harriet Lee | Byron
praised the Canterbury Tales, but in 1913George Saintsbury
asserted that Byron had done so either irresponsibly or impishly. They were, he said, not exactly bad, but also as far as possible from... |
| Literary responses | Margaret Holford | Mary Russell Mitford
called this novel an attempt to portray the poet Byron
, recognisable through several anecdotes familiarly told about him, in very black and exaggerated colors. She maintained that Joanna Baillie
, as... |
| Literary responses | L. E. L. | Owing in large part to an article in The Wasp on 7 October 1826, reception of LEL's work was adversely affected in some quarters by rumours that her relationship with William Jerdan
was sexual and... |
| Literary responses | Laurence Hope | The Garden of Káma proved extremely popular, and was reissued in each of the next fourteen years under various combinations of the two titles (with later editions tending to lose the accent in Káma)... |
| Literary responses | Anna Jane Vardill | In September 1819 the European Magazine carried a poem in praise of AJV
, in which various Muses compete for possession of her. Axon, William E. A., and Ernest Hartley Coleridge. “Anna Jane Vardill Niven, the Authoress of ’Christobell,’ the Sequel to Coleridge’s ’Christabel.’ With a Bibliography. With an Additional Note on ’Christabel’”. Transactions of the Royal Society of Literature, Vol. 2nd series 28 , 1970, pp. 57-88. 65-6 |
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