Samuel Johnson

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Standard Name: Johnson, Samuel
Used Form: Dr Johnson
Arriving in eighteenth-century London as one more young literary hopeful from the provinces, SJ achieved such a name for himself as an arbiter of poetry, of morality (through his Rambler and other periodical essays and his prose fiction Rasselas), of the language (the Dictionary), and of the literary canon (his edition of Shakespeare and the Lives of the English Poets) that literary history has often typecast him as hidebound and authoritarian. This idea has been facilitated by his ill-mannered conversational dominance in his late years and by the portrait of him drawn by the hero-worshipping Boswell . In fact he was remarkable for his era in seeing literature as a career open to the talented without regard to gender. From his early-established friendships with Elizabeth Carter and Charlotte Lennox to his mentorship of Hester Thrale , Frances Burney , and (albeit less concentratedly) of Mary Wollstonecraft and Henrietta Battier , it was seldom that he crossed the path of a woman writer without friendly and relatively egalitarian encouragement.

Connections

Connections Sort descending Author name Excerpt
Textual Features Elizabeth Strutt
The book had coloured illustrations. ES adopts here a relaxed, informal tone. She pays more attention than formerly to scenery (though she insists that only truly personal responses are interesting), but also to the humdrum...
Textual Features Susanna Watts
SW takes steps to prevent the cause of slavery entirely dominating her work, which, she announces, it will be devoted to the cause of suffering animals as well as to that of suffering men.
Watts, Susanna. The Humming Bird. I. Cockshaw, 1-2.
34
Textual Features Sarah Scott
The Introductory History of Sweden, from The Middle of the Twelfth Century is in effect an essay on biography and historiography. It argues the importance of biography, and the influence which even minor figures exercise...
Textual Features Catherine Gore
The title-page quotes Byron pronouncing shame to the land of the Gaul.
Gore, Catherine. The Lettre de Cachet; and, The Reign of Terror. J. Andrews, 1827.
title-page
A preface combats the general prejudice against a single volume
Gore, Catherine. The Lettre de Cachet; and, The Reign of Terror. J. Andrews, 1827.
iii
by citing works of fiction which are short but widely admired...
Textual Features Eliza Fenwick
For this anthology EF gathered mostly improving pedagogical material, drawing on revered literary names like Shakespeare and Milton , as well as more recent and controversial writers like Thomas Chatterton and Helen Maria Williams ...
Textual Features Mary Wollstonecraft
Though only about twenty percent of its extracts are written by women (the same proportion as from the Bible),
McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press, 2008.
501
this book is feminist in its emphasis on the virtue of independent judgement as...
Textual Features Sarah Chapone
This 70-page pamphlet, addressed to Parliament , exhibits detailed knowledge of the law and of recent cases involving heiress marriage, adultery, etc. SC finds the English law harsher to women than either ancient Roman or...
Textual Features Jane Warton
In this last publication JW was concerned to disabuse the public of the idea that her younger brother had enjoyed drinking and smoking with low persons in alehouses (it was the allegation of low company...
Textual Production Ellis Cornelia Knight
ECK published her first work, Dinarbas, a novel which acts as a continuation of Samuel Johnson 's Rasselas.
OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
Kolb, Gwin J. “Forward”. Dinarbas, Colleagues Press, 1993.
vii
“Review of Dinarbas by Ellis Cornelia Knight”. The Analytical Review, Vol.
7
, J. Johnson, June 1790, pp. 189-91.
189
Textual Production Hester Lynch Piozzi
Johnson was quite groundlessly suspected of helping her with its composition.
Clifford, James L. Hester Lynch Piozzi (Mrs Thrale). Clarendon Press, 1987.
62-3
Textual Production Frances Reynolds
A manuscript of this in the Hyde Collection (now at the Houghton Library , Harvard ) bears revisions by Samuel Johnson , in red ink which he told FR she could easily remove with water...
Textual Production Sarah Trimmer
Her spur to beginning it was reading the published personal writings of Samuel Johnson , which moved her deeply. She wrote it in the most secret hours retreat, and without the least intention ....
Textual Production Jan Morris
More than a decade later, in 1978, JM followed her own portrait of Oxford by editing The Oxford Book of Oxford, a quirky anthology of often very short anecdotes and other excerpts, aimed less...
Textual Production Charlotte Lennox
She had written most of it by November 1751. With Johnson as mediator, she consulted Richardson about revisions, denouement, optimum length (she reduced her plan from three volumes to two), and about her choice of...
Textual Production Jane Marcet
The full title is Conversations on the Evidences of Christianity, in which the Leading Arguments of the Best Author are Arranged, Developed, and Connected with Each Other. For the Use of Young Persons and Theological...

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