Gray, Christian. Tales, Letters, and other Pieces in Verse. Printed for the author by Oliver and Boyd, 1808.
William Cowper
-
Standard Name: Cowper, William
Indexed Name: Cowper, William,, 1731 - 1800
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Tabitha Tenney | Neither the Cumberland episode, nor her father's death, nor her own serious illness brought on by grief, can change Dorcasina. She next fancies that a new servant, John Brown, is a lover in disguise. (The... |
Intertextuality and Influence | Elizabeth B. Lester | |
Intertextuality and Influence | Ada Cambridge | The Author's Introduction is followed by one hundred short poems divided into two sections, which variously treat the central themes of mortality, impermanence, or the saving grace of Christianity. The poems are predominantly but not... |
Intertextuality and Influence | Mary Ann Parker | After this the tide of MAP
's description begins to turn. Notwithstanding the general appearance of the natives, I never felt the least fear when in their company, being always with a party more than... |
Intertextuality and Influence | Harriet Smythies | In a critical preface HS
reveals her gender though not her name. She opens by invoking the author of Rienzi (either, Mary Russell Mitford
or Edward Bulwer Lytton
). The two groups of lovers and... |
Intertextuality and Influence | Ann Taylor Gilbert | The poems are lively and entertaining, despite a steady the prevalence of accounts of penalties (up to and including death) naturally consequent on bad behaviour. The most famous of Ann's poems in the volume is... |
Intertextuality and Influence | Christian Gray | CG
says of Bessy Bell and Mary Gray that she was instructed by the lowliest of the muses to sing of ladies. |
Intertextuality and Influence | Selina Davenport | It opens with England, with all thy faults I love thee still!—a quotation not from Byron
's Beppo, which lay still two years in the future, but from Cowper
's The Task (whence... |
Intertextuality and Influence | Dora Greenwell | She opens the essay with a sharp and witty caricature of others' representations of unmarried women: they have, it is true, gained much both socially and æsthetically in passing from the traditionary type—the withered prude... |
Intertextuality and Influence | Jane Austen | In Mansfield Park the heroine is a Romantic in her sensibilities: an admirer of Cowper
, passionately devoted to her brother, stoical in her endurance of cold but vividly alive to the suffering of others... |
Intertextuality and Influence | Mrs E. M. Foster | The novel parodies Germaine de Staël
's Corinne (which had appeared in French in 1807, in English in 1808). Chapters are supplied with epigraphs: some standard choices like Pope
and Cowper
, but also texts... |
Intertextuality and Influence | Frances Jacson | |
Intertextuality and Influence | Mrs Ross | The title-page quotes Langhorne
and the first chapter-heading William Cowper
. Despite its related material, this story is more bland than The Cousins. The hero, Walsingham, appears in England as the ward of Sir... |
Intertextuality and Influence | Mrs Ross | Many chapters are headed with quotations from Shakespeare
or Cowper
. This novel pits domestic (upper-class) ties against destructive passions, the latter aroused by the fascinating Marchioness of Laisville (whose vices do not ruin her... |
Intertextuality and Influence | Mary Ann Kelty | The book bears in various details the influence of Jane Austen
, though its overall project of pious didacticism is at odds with Austen's approach. The title-page quotes Rousseau
on the topic of the sensitive... |
Timeline
No timeline events available.
Texts
No bibliographical results available.