Alfred Tennyson

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Standard Name: Tennyson, Alfred
Used Form: Alfred Lord Tennyson

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Anna Brownell Jameson
This second lecture takes as its epigraph the invocation in Tennyson 's The Princess of men and women working side by side in council, hearth, and the tangled business of the world.
Jameson, Anna Brownell. Sisters of Charity, Catholic and Protestant; and, The Communion of Labor. Hyperion Press, 1976.
143
It enlarges...
Intertextuality and Influence Lady Margaret Sackville
LMS 's earliest works, which emerged from a romantic sense of beauty, defined her for decades of readers. In the first phase of her writing career, from 1900 to about 1915, she sought the delicate...
Intertextuality and Influence Isa Blagden
A Model and a Wife has a principal cast of three: John Herbert, a solitary English painter living in Rome in ill health; Nell Spencer, a young English heiress (once an abandoned orphan in India...
Intertextuality and Influence Charlotte Guest
One of CG 's admirers was Tennyson , who was soon to become Poet Laureate. He re-told one of her tales in Idylls of the King.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Matthew Arnold acknowledged her influence is his radically...
Intertextuality and Influence Christina Rossetti
Her early work and the passages she copied into her mother's commonplace-book show the influence of Tennyson and Wordsworth ; she also acknowledged the impact of Gray and Crabbe , and wrote several poems inspired...
Intertextuality and Influence Agnes Maule Machar
Roland Graeme, Knight incorporates wide-ranging allusions to figures such as Goethe , Dickens , Browning , Ruskin , Thoreau , Tennyson , Carlyle , and Handel . Critic Carole Gerson compares it to earlier nineteenth-century...
Intertextuality and Influence Sarojini Naidu
The story of its publication has been told by Arthur Symons and Edmund Gosse , and their accounts reveal considerable English intervention to bring out the Indian aspects of her work. At the age of...
Intertextuality and Influence Isa Blagden
The final line invokes Wordsworth 's The Female Vagrant, andIB also echoes Thomas Hood 's Bridge of Sighs and the more general iconography of the fallen woman. This treatment of what it meant...
Intertextuality and Influence Patricia Wentworth
Though the Feminist Companion says that Miss Silver is a character [i]n the mould of Agatha Christie 's Miss Marple, she actually predates Miss Marple by two years. She is a former governess who now...
Intertextuality and Influence Anne Marsh
Edmund, narrator of this novel, is another old man: cautious, hierarchically minded, yet remembering his past as a young radical. He fell in love with Clarice de Vere —whose name recalls Tennyson 's Lady Clara...
Intertextuality and Influence Mathilde Blind
At this date MB 's favourite poets (Shelley , Byron , Tennyson ) were all male.
Thesing, William B., editor. Dictionary of Literary Biography 199. Gale Research, 1999.
29
Intertextuality and Influence Patricia Wentworth
This classic story opens with Rachel Treherne, unmarried and in her thirties, coming in a state of acute anxiety to consult Miss Silver at the latter's home, which is also her office. Rachel's colouring should...
Intertextuality and Influence Matilda Hays
Woven into the novel is considerable commentary on the art, music, and literary productions of the day. Quotations are given from or allusions made to a wide range of authors including Tennyson , Longfellow (used...
Intertextuality and Influence Marjorie Bowen
MB recalls being influenced at an early age by her enjoyment of Tennyson 's Idylls of the King, Wilde 's Picture of Dorian Gray, the novels of Sir Walter Scott , and Richardson
Intertextuality and Influence Felicia Hemans
Some of the poems in Records of Woman have recently been embraced by certain scholars (including Isobel Armstrong in Victorian Poetry: Poetry, Poetics and Politics, who discusses them alongside poems by L. E. L.

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