Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Anne Grant | As well as her central allusion to Barbauld, AG
claims authority for her work by quoting Milton
on her title-page and later as well, and by echoing, in her deliberately derivative, that is traditional style... |
Intertextuality and Influence | Ann Hatton | The title-page quotes Milton
and an unidentified French writer. Each of the unusually long chapters (four to a volume) is headed by a summary and a quotation, often from Shakespeare
or Byron
or attributed only... |
Intertextuality and Influence | Sarah Stickney Ellis | In her preface to the poem she outlines theories of poetry, taking much the same approach towards it that she had towards fiction: that verse, like prose, would benefit from attention to simple, everyday life... |
Intertextuality and Influence | Anna Seward | In metre and general tone it remembers Milton
's L'Allegro. |
Intertextuality and Influence | Phyllis Bottome | The book describes the effects of bombing: effects on the cities of London and Liverpool, the Army
, Navy
, and Air Force
, the Women's Auxiliary Services
, and the lives of ordinary... |
Intertextuality and Influence | Elizabeth Freke | Most striking of all is A Diologue between the Serpentt and Eve, which may have been written on the model of the speeches in Milton
's Paradise Lost, but does not refer to... |
Intertextuality and Influence | Ann Radcliffe | Influences on AR
's writings include the opera, contemporary travel writers, and Joseph Priestley
's Course of Lectures on Oratory and Criticism, 1777. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press, 1999. 67 |
Intertextuality and Influence | Catharine Macaulay | |
Intertextuality and Influence | Mary Lady Champion de Crespigny | MLCC
provides a sketch of Collingwood's naval career, with accounts of some of his major battles. As by degrees the storms arise, / 'Till hurricanes obscure the skies, / So his tremendous fire increas'd, /... |
Intertextuality and Influence | Selina Davenport | The title-page quotes Milton
on the false dissembler (Satan). The story opens with Edmund Dudley, the lover and the poet, confiding to a married friend, Leopold Courtenay, his love for Althea, to whom he has... |
Intertextuality and Influence | Anne Steele | Her non-religious poems show her a confident, versatile, accomplished writer. She casts a net of allusion widely—Milton
, Gray
, Edward Young
. She imitates Pope
on solitude, writes first of James Hervey
's... |
Intertextuality and Influence | Anna Seward | The sonnets are written in strict Milton
ic form. One of their favourite themes is love of nature and the countryside; one or two deal with Seward's love for Honora Sneyd
. In rendering Horace... |
Intertextuality and Influence | Henrietta Maria Bowdler | HMB
published, anonymously, a long poem entitled Creation, and Other Poems: To Which Are Added, the Bowers of Happiness, a Vision, and an Essay on Sacred Poetry, which she claimed to have written without... |
Intertextuality and Influence | Maria De Fleury | Her poem is Miltonic
in style, with frequent echoes of Paradise Lost, although written in couplets. Accepting a designation applied to her by ideological enemies, MDF
opens by comparing herself to the biblical Deborah... |
Intertextuality and Influence | Elizabeth Helme | The title-page quotes Milton
's Paradise Lost on conscience as the guide within. Helme, Elizabeth. Clara and Emmeline. G. Kearsley, 1788, 2 vols. title-page |
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