Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Lucy Aikin | LA
's preface denies the absurd notion that absolute gender equality might be feasible and advises women not to attempt to become inferior men. But she asserts, there is not an endowment, or propensity, or... |
Intertextuality and Influence | Gladys Henrietta Schütze | The title phrase opens one of the best-known poems by scholar and poet Francis William Bourdillon
. GHS
quotes a stanza from it, along with other, more canonical poets from Ovid
through Milton
and Wordsworth |
Intertextuality and Influence | Mary Ann Cavendish Bradshaw | There follows a fighting critical Dissertation Respecting Patrons and Dedications, which covers the issues of male disrespect for female authors, the tyranny of critics, and over-insistence on moral instruction (with Hannah More
's Coelebs... |
Intertextuality and Influence | Christian Gray | Milton
was clearly an inspiration to Gray because of his blindness: this shows a fair level of self-confidence in her. The author's name appears with the description blind from her infancy, which emphasises the charitable... |
Intertextuality and Influence | Hannah More | The title-page quotation from Paradise Lost features the archangel Raphael's pronouncement that it is better for human beings to know That which before us lies in daily life than things remote. Feminist Companion Archive. |
Intertextuality and Influence | Maria De Fleury | |
Intertextuality and Influence | Felicia Hemans | The volume provides lavish notes to explain its sometimes quite obscure historical figures and settings, and cites a wide range of authors including Plutarch
, Shakespeare
, Milton
, and Germaine de Staël
. FH |
Intertextuality and Influence | Mary Astell | How, she asks, can a Man respect his Wife when he has a contemptible Opinion of her and her Sex? Astell, Mary. The First English Feminist. Editor Hill, Bridget, St Martin’s Press, 1986. 111 |
Intertextuality and Influence | Mary Wollstonecraft | MW
was replying to a number of authoritative male texts about the nature of women: by Burke
(who in Reflections on the Revolution in France had glorified Marie-Antoinette
and dismissed non-queenly femininity as animal), Rousseau |
Intertextuality and Influence | Anna Maria Porter | The new Juvenilia Press
edition, like the original first volume, contains five stories: Sir Alfred; or, The Baleful Tower, The Daughters of Glandour, The Noble Courtezan, The Children of Fauconbridge, and... |
Intertextuality and Influence | Emily Frederick Clark | Quotations heading chapters come from Milton
and other mostly modern poets, including Charlotte Smith
and Mary Robinson
. Other inset poems may be EFC
's own. McLeod, Deborah. The Minerva Press. University of Alberta, 1997. |
Intertextuality and Influence | Dora Greenwell | Her allegorical poem Bring Me Word How Tall She Is begins Within a garden shade, A garden sweet and dim, Two happy children played Together; he was made For God, and she for him. Greenwell, Dora. Camera Obscura. Daldy, Isbister, 1876. 62 |
Leisure and Society | Mary Jones | |
Literary responses | Charlotte Smith | The many editions of CS
's sonnets attest to their popularity. In one she mentions having to get back from friends the original manuscripts of poems which she had not bothered to keep. Her sonnets... |
Literary responses | Ethel M. Dell | In response to a compliment on her writing EMD
replied, they are not well written and will never be called classics. qtd. in Dell, Penelope. Nettie and Sissie. Hamish Hamilton, 1977. 129 |
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